An account of Annie Ernaux’s love affair with journalist Marc Marie while she was undergoing treatment for cancer, and their combined project to document images and memories. Includes 14 color photographs by the authors. “These photos, in which the bodies are absent, and the eroticism is only represented by the abandoned clothes, were a reminder of my possible, permanent absenc...(展开全部)

First published in France in 2005, The Use of Photography recounts a passionate love affair between Ernaux and the journalist and author Marc Marie, after the two met in January 2003. Ernaux had been receiving intensive chemo for breast cancer during the prior three months, and had lost all her hair from the treatments. At the end of January she had surgery, followed by radiati...(展开全部)

-作者简介- 吉奥乔·阿甘本(Giorgio Agamben，1942—)，意大利哲学家，当代具有世界影响力的思想家之一，其著述跨越政治哲学、法理学、神学、本体论、艺术、美学、文学等多学科领域。他对“赤裸生命”“例外状态”“生命权力”等概念的探索塑造了当代政治哲学有关主权、生命政治及法律与暴力之关系的讨论。 -译者简介- 蓝江，1977年生，湖北荆州人。南京大学哲学学院教授博士生导师。主要研究方向为国外马克思主义、当代欧陆激进左翼思想、数字资本主义，著有《如何思考全球数字资本主义？：当代社会批判理论下的哲学反思》《一般数据、虚体与数字资本：历史唯物主义视域下的数字资本主义批判》《忠于事件本身：巴迪欧哲学思想导论》等。译有阿甘本《王国与荣耀：安济与治理的神学谱系》《什么是哲学》》《语言的圣礼：誓言考古学》及巴迪欧《存在与事件》《存在与事件2：世界的逻辑...(展开全部)

A collection of photographs from winners of the Wildlife Photographer of the Year competition. The Wildlife Photographer of the Year competition comes from two venerable institutions of the United Kingdom: the Natural History Museum and BBC Worldwide. For 49 years, this prestigious exhibition has drawn submissions from around the world. Being shortlisted is something to which n...(展开全部)

In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing what she calls "the civil contract of photography," she gives an account of the power relations that sustain and make possible photographic meanings. Azoulay argues that anyone--even a stateless person--who addresses others through photographs or is addressed by phot...(展开全部)

斯特凡·格罗内尔，现任波恩艺术博物馆策展人，并在波恩大学教授艺术史。他写过许多关于古典、现代和当代艺术的书籍，并定期讲授20世纪和21世纪的摄影艺术。目前已出版《西格马尔·波尔克》（Sigmar Polke，2019年）、《杰夫·沃尔》（Jeff Wall，2016年）、《格哈特·里希特》（Gerhard Richter，2006年）等著作，均广受好评，且在欧洲的艺术与摄影领域极具影响力。

In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing what she calls "the civil contract of photography," she gives an account of the power relations that sustain and make possible photographic meanings. Azoulay argues that anyone--even a stateless person--who addresses others through photographs or is addressed by phot...(展开全部)

Nathan Myhrvold and the culinary wizards at The Cooking Lab redefined what a cookbook can be with Modernist Cuisine: The Art and Science of Cooking, heralded by the James Beard Foundation as Cookbook of the Year and a once-in-a-lifetime publishing event for anyone who is passionate about food and cooking. Now the same team has produced The Photography of Modernist Cuisine, a fe...(展开全部)

斯特凡·格罗内尔，现任波恩艺术博物馆策展人，并在波恩大学教授艺术史。他写过许多关于古典、现代和当代艺术的书籍，并定期讲授20世纪和21世纪的摄影艺术。目前已出版《西格马尔·波尔克》（Sigmar Polke，2019年）、《杰夫·沃尔》（Jeff Wall，2016年）、《格哈特·里希特》（Gerhard Richter，2006年）等著作，均广受好评，且在欧洲的艺术与摄影领域极具影响力。

Shoot gathers over 20 photographers whose work focuses on capturing a moment rather than elaborate lighting setups or controlled, manufactured scenarios. Employing the most basic photographic tools—a single-lens reflex camera and natural light—they must rely on their instincts and their ability to interact with a situation to create a dynamic image. This freewheeling approach r...(展开全部)